The WGGB awards and agreements cover television, theatre, radio and parts of the film. You will also find detailed advice on best practices in the policies and brochures we establish. These are all available as PDFs in the Resources section or in the WGGB headquarters. We can also advise members by phone or email. Go to the Contacts section. BBC Equity TV Agreement 6 Jun 2016.pdfEquity Audio Agreement 2017-18Voice Rates Card.pdfWalk-on Rate Card 2017 .pdfequity audio agreement 2017 18 finalITV Main – Walk-On Agreement Jan 2016 – .pdfTAC Equity Walk-on Agreement 1. January 2018 WELSH.pdfTAC Equity Walk-on Agreement 2018 FRANKFURT.pdf Three important trade union agreements are being implemented in and around London: the FAA/PACT agreement, the BBC Capital Agreement and the ITV capital agreement. WGGB agreements cover minimum costs and work practices and include recurrence fees, credits, copyrights, payments, collaboration with authors and much more. 5 – Travel inside the TFL zone from 3 to 10 euros for additional trips outside the TFL 3 zone. . If you receive an NDA to sign before a pitch, be sure to cross-reference all the clauses that indicate that you assign all the IPs of your ideas presented at the pitch/meeting.
Otherwise, you refuse to sign it. It`s not fair. Fair position: You each have the rights and IP addresses in your respective contributions to the pitch meeting until a subsequent agreement is signed during the project phase. The guarantee of development financing often follows a long period during which a producer has invested a considerable amount of resources, time and money in a project and should be hailed as a brilliant performance and recognition of the capabilities of producers and should not (for now) finance itself! The main task of a development agreement is to provide development funds in return for the promise to carry out development work such as the manufacture of treatments, scripts, budgets, access agreements, sizzle tapes and pilots, etc. While a producer is most likely crouching at the top to start cash flow, producers should not be too hasty to put the pen on paper… A development agreement often contains much more than this primary function and will often represent the future of the project until it is commissioned. We have compiled a list of five key factors, which we hope will help manufacturers review a development agreement. Producers are often the custodians of inspired authors who create original programming ideas and need production and contact control to get their ideas in front of a broadcaster. Although there is no “format right” in English law, producers are often willing to concede these ideas under carefully developed “format” licensing agreements that give the manufacturer exclusive rights to the idea on agreed terms.